Welcome!
Welcome to HOOLIGAN's Audition page! This is where you'll be able to sign up for auditions and find information on what to prepare or what to expect.
If you have any questions about auditioning, feel free to contact marty.hockey@hooligantheatre.org or melissa.stern@hooligantheatre.org.
Break a leg!
HOOLIGAN Casting Team
If you have any questions about auditioning, feel free to contact marty.hockey@hooligantheatre.org or melissa.stern@hooligantheatre.org.
Break a leg!
HOOLIGAN Casting Team
Upcoming Auditions
Auditions for our spring productions have concluded. Follow us on social media to stay up-to-date on future audition opportunities!
Audition Resources
Take a look at our library of audition monologues and songs- all available for your use! Then read some of our frequently asked questions to better understand how the audition process works.
Female
Comedic
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"Jolene" - Dirty Rotten Scoundrels
"Connie" - The First Annual Achadamee Awards "Anita" - Antigone in New York "Fanny" - Funny Girl "Van's Sister" - Dog Sees God |
"Sally Brown" - You're A Good Man, Charlie Brown
"Kim" - Rather Be a Man "Joseph Armone" - Don't Look At Me "Sarah Brown" - Guys and Dolls |
Dramatic
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"Buttercup" - The Princess Bride
"Catherine" - Grace Notes "Squeaky Fromme" - Assassins "Hazel" - The Fault in Our Stars "Heather" - The Blair Witch Project "Catherine" - Proof "Tiffany" - The Silver Linings Playbook "Laura" - The Glass Menagerie |
Uncategorized
Male
Comedic
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"The Game is Over" - Dirty Rotten Scoundrels
"Dwight's Perfect Crime" - The Office "Man in Chair" - The Drowsy Chaperone "Lloyd Dallas" - Noises Off |
"Adam" - The Complete Works of William Shakespeare
"Laughing Wild" - Christopher Lang "Alfred P. Doolittle" - My Fair Lady "Charlie Day" - It's Always Sunny in Philadelphia |
Dramatic
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"Noah" - The Notebook
"Moritz" - Spring Awakening "Willy Loman" - Death of a Salesman "Jud Fry" - Oklahoma! "Leading Player" - Pippin "Puck" - A Midsummer Night's Dream "Marius" - Les Miserables |
Uncategorized
"Trentell" - I Love You, You're Perfect, Now Change
Gender Neutral
Dramatic
Uncategorized
Note: Some of the monologues may be too long and can be cut using your own discretion.
Female
Alto
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Jazz Belt
Maybe This Time - Cabaret Show Off - Drowsy Chaperone As We Stumble Along - Drowsy Chaperone All That Jazz - Chicago RnB Belt I'm Here - The Color Purple |
Rock Belt
Change Don't Come Easy - Memphis We Gotta Get Out of this Place - Beautiful Other Turn Back O Man - Godspell The Locomotion - Beautiful |
Mezzo/Belt
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Rock Belt
Holding Out For A Hero - Footloose Mama Who Bore Me (Reprise) - Spring Awakening Superboy and the Invisible Girl - Next to Normal All Grown Up - Bare Other Shy - Once Upon A Mattress Someone Like You - Jekyll and Hyde Where Did the Rock Go? - School of Rock Happily Ever After - Once Upon a Mattress |
RnB Belt
Home - The Wiz Once Upon A Time - Brooklyn My Strongest Suit - Aida I Am Changing - Dreamgirls Out Here On My Own - Fame Love Will Stand When All Else Fails - Memphis |
Soprano
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How Lovely To Be A Woman - Bye Bye Birdie
Nothing Is Too Wonderful to Be True - Dirty Rotten Scoundrels The Light in the Piazza - The Light in the Piazza No One Is Alone - Into the Woods On the Steps of the Palace - Into the Woods Goodnight My Someone - The Music Man |
Till There Was You - The Music Man
In My Own Little Corner - Cinderella If I Were A Bell - Guys and Dolls It's De-Lovely - Anything Goes I'm In Love With A Wonderful Guy - South Pacific Pulled - The Addams Family |
Male
Bass/Baritone
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Traditional
If Ever I Would Leave You - Camelot Ten Minutes Ago - Cinderella Razzle Dazzle - Chicago Agony - Into the Woods I've Never Been In Love Before - Guys and Dolls If I Told You Now by Jason Robert Brown Love, I Hear - A Funny Thing Happened On The Way to the Forum |
RnB
Slide Some Oil To Me - The Wiz I'll Cover You (Reprise) - Rent Great Big Stuff - Dirty Rotten Scoundrels Rock Honestly Sincere - Bye Bye Birdie (Rock Belt) I Am the One - Next to Normal (Rock Belt) |
Tenor
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Traditional
It's De-Lovely - Anything Goes Left Behind - Spring Awakening Beautiful City - Godspell Poison in my Pocket - A Gentleman’s Guide to Love and Murder Rock Belt Don't Do Sadness - Spring Awakening And Then There Were None - Spring Awakening Moving Too Fast - The Last Five Years What You Own - Rent One Song Glory - Rent I'm Alive - Next to Normal Fortune Favors the Brave - Aida King of the World - Songs for a New World Can't Fight This Feeling - Rock of Ages I Can't Stand Still - Footloose Goodbye - Catch Me If You Can Crazytown - 35 MM |
RnB Belt I Was Born The Day Before Yesterday - The Wiz Touch Me - Spring Awakening Family - Dreamgirls Patience - Dreamgirls Music of My Soul - Memphis Memphis Lives in Me - Memphis Lost In The Wilderness - Children of Eden Superstar - Jesus Christ Superstar Contemporary MT Composers If The World Looked Like You - Will Reynolds Run Away With Me - Kerrigan and Lowdermilk Do You Remember - Pasek and Paul Waving Through A Window - Pasek and Paul Belief - Alexander Sage Oyen To Kiss A Girl - Lindenfelzer and Carey Cut You A Piece - Ryan Scott Oliver |
What am I expected to audition with?
Please prepare a 1 minute monologue and, if auditioning for a musical, a 16 bar (or 1 minute) cut of a song.
What is the timeline for the audition process?
Typically, initial auditions (song and monologue) will occur MTW, dance auditions on Thursday, callbacks on Friday, and cast lists emailed out Saturday.
Are there any restrictions on song/monologue choices?
We just ask that you avoid performing selections from the show you're auditioning for. Song cuts should be limited to 16 bars (or 1 minute) and monologues should be no longer than 1 minute.
What if my song or monologue is longer than 1 minute?
If your song or monologue lasts more than 1 minute, you may be asked to stop by the creative team. This does not mean they did not enjoy your selections, it is simply to keep auditions running on schedule.
What should I bring to my audition?
(For in person auditions) A completed audition form and some kind of instrumental accompaniment track (please no lead vocals!): mp3 or CD. An a cappella audition is also acceptable. Be sure to fill out the conflicts portion of the audition form to the best of your ability, including any conflicts you expect to have and their specific times.
What can I expect from my audition?
We will confirm you have submitted your audition form with conflicts and past experience upon entering the Zoom. When the audition team is ready, you will go in to the designated break-out room, introduce yourself, and perform your monologue and song (you can pick which one you want to do first!) You may be asked by the director to re-do one of your pieces to get a better idea of your range and capabilities, or asked a few questions by the creative team.
I want to be in the show, but only as a certain character. Will I have the chance to indicate this?
Yes. There is an area on your audition sheet where you can indicate any character preferences you might have as well as if you are willing to accept an ensemble part.
Should I dress as the role I'm interested in for auditions?
Don't come in costume, but you can dress in the style of the character. You don't have to dress like anyone at all, just look put together, make sure the clothes are not too constricting, and most importantly, feel confident and comfortable!
What if I have no dance experience?
Just do your best: showcase your ability to portray a character, tell a story, and keep up your energy.
Which productions are cut and which are no-cut?
Everyone that auditions for the winter rep shows will receive a part, whereas the fall musical and spring play have more limited roles.
I didn't get a callback! Does that mean I didn't get cast?
Nope! Historically, HOOLIGANs have definitely been cast in shows they didn't get callbacks for. It's also possible that there are roles the director isn't calling people back for, but will instead cast during the rehearsal process.
When will I know if I got cast?
Everyone will receive an email regardless of whether or not they were cast in the show.
Why do I have to pay dues?
Note: during COVID and digital performance, we will NOT be asking for dues.
When you pay dues, you are not only paying to participate in a show, but all the events that HOOLIGAN is putting on this quarter/year. That includes the One Acts, Showcase, Spring Sing, parties, future shows, or if you want to sign up for staff or participate in tech for the shows.
When you pay dues, you are not only paying to participate in a show, but all the events that HOOLIGAN is putting on this quarter/year. That includes the One Acts, Showcase, Spring Sing, parties, future shows, or if you want to sign up for staff or participate in tech for the shows.
What is "fundraising" and why do I have to do it?
Note: During COVID and digital performance, fundraising will NOT be mandatory.
When you are cast in a HOOLIGAN mainstage production, you will be expected to contribute to the show's overall funding through individual fundraising. There are many ways to do this, and these options will be thoroughly explored at the first read through for cast and at the first Blue Sky meeting for crew. Student theatre is very expensive to produce, but it's all made a little easier with your help!
When you are cast in a HOOLIGAN mainstage production, you will be expected to contribute to the show's overall funding through individual fundraising. There are many ways to do this, and these options will be thoroughly explored at the first read through for cast and at the first Blue Sky meeting for crew. Student theatre is very expensive to produce, but it's all made a little easier with your help!
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HOOLIGAN Theatre Company
PO Box 24943 Los Angeles, CA 90024 |
email: info@hooligantheatre.org
phone:(310) 363-0482 |
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